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V.291.281.30
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Arjuna reports his own collapse reaching his hands: the bow itself will no longer stay in his grip.

This is Sanjaya's narration of what Arjuna says, not yet Krishna's teaching. Where the tradition comments on this exact line at all, it stays close to the bare list of symptoms rather than rushing to diagnose them.

29Chapter 1
The verseSpoken by Arjuna
Voices5 commentators · 5 schools · modern voices
The readingAbout 5 minutes, unhurried
सीदन्ति मम गात्राणि मुखं च परिशुष्यति। वेपथुश्च शरीरे मे रोमहर्षश्च जायते
sīdanti mama gātrāṇi mukhaṁ cha pariśhuṣhyati vepathuśh cha śharīre me roma-harṣhaśh cha jāyate

Trembling runs through my body and my hair stands on end. The Gandiva slips from my hand, and my skin is burning.

Bhagavad Gita 1.29
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Sanskrit recitation by Swami Brahmānanda

Audio from the Gītā Supersite, IIT Kanpur

The reading read whole, as one unhurried piece

Where it stands

Sanjaya is still narrating to the blind king Dhritarashtra. In the verse just before this one, Arjuna named the first signs of his collapse, slack limbs, a dry mouth. Here, still speaking, he continues the same catalogue, and the collapse now reaches further: into the whole body's trembling, and into the one thing a warrior's hand is supposed to hold steady above all else.

The teaching

The bow will not stay in his hand. Whatever is happening in him has reached his grip.

The verse itself asks for very little interpretation. My body trembles, my hair stands on end, the Gandiva slips from my hand, my skin is burning: four plain reports, one after another, with no argument yet attached to any of them. Where comment on this exact line survives in the sources gathered here, it stays remarkably close to that plainness. Sridhara offers a single confirming sentence. Madhusudana restates the same four symptoms without yet sorting them into a diagnosis, saving that finer work for his treatment of the passage as a whole. Ramanuja does not pause on this verse at all, folding it instead into the single continuous reading he gives at 1.26, where the entire collapse, from the first slackening limb to this falling bow, is read together as the visible cost of a genuinely virtuous heart breaking under love and the fear of wrongdoing. Madhva and Abhinavagupta leave nothing here whatsoever: Madhva's surviving commentary begins only at 2.11, and Abhinavagupta's source records a plain absence with no wider passage offered as an anchor. What this leaves is a verse doing real, quiet narrative work almost without commentary at all. Two of its four details are new here, not carried over from the line before: the weapon slipping free, and the skin catching fire. Of the two, none of the sources that touch this verse pass over the falling bow lightly. It marks a threshold. Whatever has been happening inside Arjuna, in his thoughts and his grief, has now reached the one part of him his role as a warrior depends on completely: the steadiness of his own hand.

The doubt that rises

If the tradition itself comments so sparingly here, does that mean this verse matters less than the ones around it, or does it mean something else, that some moments in a person's unraveling are simply reported, not yet explained, because the explaining has not caught up with the body yet?

Where the paths divide

Advaita Vedanta

Read through Madhusudana's plain restatement, since Shankara left nothing here.

No comment from Shankara survives for this verse, as with the whole of chapter one. Madhusudana's brief entry stays close to the bare list of symptoms, trembling, rising hair, the falling bow, the burning skin, without yet naming a cause or a diagnosis. The fuller Advaita reading of delusion and lost discrimination belongs, in his hand, to the wider treatment of the surrounding verses, not to an extended judgment recorded on this exact line.

Vishishtadvaita

Read as part of a single passage anchored at 1.26.

Ramanuja gives no independent comment on this verse, folding it instead into the continuous stretch he treats fully at its opening. Read within that frame, this line's specific details, the failing grip, the burning skin, would fall under the same verdict he gives the collapse as a whole: not a fault to be corrected, but the visible mark of a great-souled man breaking under a love and a righteousness that were never in question.

Dvaita

Read as a complete gap in the surviving material.

Madhva's commentary does not reach chapter one at all, beginning only at verse 2.11. The whole of this verse, the trembling and the falling weapon included, passes without a word from him, and nothing offered here should be mistaken for filling that gap on his behalf.

Kashmir Shaivism

Read as a stated blank, without even a range given as an anchor.

The source records plainly that Abhinavagupta offers no comment on this verse, with no wider passage given either. One could imagine, only as a labeled and conditional extension, the trembling body as consciousness registering, in its own flesh, a contraction into a narrow and threatened sense of self, but this is not his recorded word.

Bhakti

Read as the one confirming line that survives, and nothing more.

What remains attributed to Sridhara here is brief: the body trembles, the hair stands on end. It confirms the plain sense of the verse and ventures no reading of whether the collapse it names is fitting grief, delusion, or something else; this entry does not supply that verdict on his behalf.

Modern

Read as a shared mechanism, apart from any school's final verdict.

Set the doctrinal question aside and notice what the bare restatements still preserve: this is the verse where distress, already named in the mind and the limbs, reaches the hands, the one place a warrior's readiness cannot be faked. Whatever this collapse is finally called, the sources agree it has now reached the weapon itself.

This page does not invent a fuller reading for the acaryas who left none, and it does not pretend the sparse comment that does survive amounts to a settled verdict. What stays open here is real: is this bodily collapse itself already a kind of moral seeing, the body recognizing something the mind has not yet found words for, or is it simply the raw material that the coming teaching will have to work on and correct? The verse reports; it does not yet judge.

A question to carry

When your own hands have started to fail at something you are trained to do without thinking, do you take that as information worth trusting, or as a weakness to push through before you have understood what it is telling you?

Let the report stand honestly, in its own plain and physical terms, before reaching for a verdict on the heart, or the failure, behind it; the explaining will come, but it has not come yet.

Each school is voiced from the commentators named above. Their full words, every translation, and where the schools agree and differ wait in the reading desk just below. Open the commentary desk.

Arjuna has already named the slackening of his limbs and the dryness of his mouth in the verse just before this one; here the same collapse spreads further, into the trembling of his whole body and, most tellingly, into the failing grip on his own weapon.

Where they agreethe convergence

Whatever the sources make of it, none of them treat the falling bow as incidental: the collapse has reached the hands, where a private feeling can no longer be denied.

Across schools and centuries the commentators come to the same ground. These are the points they share, and the voices that hold each one.

2schools

The list is exact and physical: trembling through the body, hair rising on end, the Gandiva slipping free, the skin on fire, reported in the same plain terms the verse itself uses.

Across Bhakti, AdvaitaŚrīdhara · Madhusūdana
In Śrīdhara and Madhusūdana’s words

Where any comment on this exact verse survives at all, it stays remarkably close to the bare words themselves: trembling in the body, hair standing on end, the bow slipping from the hand, the skin burning. This is not yet the moment for interpretation. It is Arjuna's own report, echoed back by the sources rather than expanded by them.

Asked in question 1, below
2schools

Two of these four signs are new to this line: the bow is new, and the burning skin is new, marking an intensification beyond the slack limbs and dry mouth named just before.

Across Advaita, BhaktiMadhusūdana · Śrīdhara
In Madhusūdana and Śrīdhara’s words

Two of the four physical symptoms named in this verse are new to this line specifically: the Gandiva slipping from the hand and the burning skin. The trembling and rising hair continue directly from the previous verse's catalogue, so this line is read as an intensification, the collapse spreading from the limbs and mouth into the grip on the weapon itself.

Asked in question 2, below
3schools

Where comment survives on this exact verse, it stays close to restatement rather than argument, letting the raw report carry its own weight before any verdict is reached.

Across Dvaita, Kashmir Śaiva, ViśiṣṭādvaitaMadhva · Abhinavagupta · Rāmānuja
In Madhva, Abhinavagupta, and 1 others’ words

Three of the five acaryas surveyed here leave no independent comment isolated to this particular verse. Madhva's extant commentary does not reach chapter one at all; Abhinavagupta's source states plainly that he offers nothing here, with no wider passage given as an anchor; and Ramanuja folds this verse into a single continuous treatment beginning at 1.26, without pausing to gloss this line on its own.

Asked in question 3, below
2schools

Three of the five voices gathered here are silent or folded elsewhere on this precise line, and that thinness is recorded honestly rather than dressed up as a fuller agreement.

Across Bhakti, ViśiṣṭādvaitaŚrīdhara · Rāmānuja
In Śrīdhara and Rāmānuja’s words

Where the surviving material is thin, as with Sridhara's single confirming line, or folded into a wider passage, as with Ramanuja, or entirely absent, as with Madhva and Abhinavagupta, the verse still does real narrative work without needing a doctrinal gloss at all: it is the body finishing what the mind has already begun to feel.

3schools

The failing grip on his own weapon is read, across what little comment survives, as the moment private distress becomes impossible to argue away.

Across Bhakti, Advaita, ViśiṣṭādvaitaŚrīdhara · Madhusūdana · Rāmānuja
In Śrīdhara, Madhusūdana, and 1 others’ words

None of the sources that touch this verse, however briefly, treat the weapon slipping from Arjuna's hand as a small or incidental detail. Whether restated plainly, as Sridhara and Madhusudana do, or folded into the larger frame Ramanuja sets at 1.26, the failing grip on the Gandiva is carried as a meaningful sign that the warrior's readiness for battle, not only his composure, is giving way.

Asked in question 4, below

This is the shared ground; it can be carried as it is. Below is where they differ.

Where they differthe divergence

The question they answer differently
Is this list of bodily symptoms a private, self-contained event that the tradition rightly passes over quickly, or is the failing grip on Arjuna's own weapon a meaningful sign that changes what his coming words of despair are worth?
The traditional commentators
Advaita Vedāntasee this school across the GītāMadhusūdana
Shankara leaves no comment here; Madhusudana restates the symptoms plainly without yet sorting them into a diagnosis of delusion.
The fuller Advaita diagnosis belongs to Madhusudana's treatment of the surrounding verses, not to an extended judgment on this exact line.
Viśiṣṭādvaitasee this school across the GītāRāmānuja
Ramanuja folds this verse into his continuous treatment beginning at 1.26: the collapse, symptoms included, is a noble heart breaking, not a fault.
Read as an extension of his stated frame at 1.26, since no independent comment on this line survives in his own hand.
Viśiṣṭādvaita, in their fuller words

Ramanuja leaves no comment isolated to this verse, folding it instead into the single continuous passage he treats fully at 1.26. Read within that frame, the specific symptoms named here would fall under the same verdict he gives the collapse generally: the visible sign of a great-souled, supremely righteous man breaking under love and the fear of wrongdoing, not a flaw to be corrected. This is an extension of his stated frame, not his own recorded word on this precise line.

Rāmānuja
Dvaitasee this school across the GītāMadhva
Madhva's Gita commentary does not begin until 2.11, so no comment from him exists for this verse.
Any Dvaita-flavored extension offered elsewhere is explicitly conditional, not his recorded word.
Dvaita, in their fuller words

Madhva's commentary does not address chapter one at all, beginning only at verse 2.11. There is no Dvaita reading of this verse's trembling, burning skin, or falling weapon in his own words to report; any extension of his teaching on the soul's radical dependence to this specific moment of collapse would be speculative and is not offered here as his position.

Madhva
Śuddhādvaitasee this school across the GītāŚrīdhara
Sridhara's one surviving line is a bare confirmation of the trembling and rising hair, with no verdict on delusion or virtue attached.
The one genuinely verse-specific gloss available for this verse in this collection.
BhaktiŚrīdhara
Where any devotional-lineage voice comments at all, it stays with plain restatement rather than a verdict on the heart behind the trembling.
Recorded as an honest thinness rather than filled with an invented reading.
Bhakti, in their fuller words

The one line that survives from Sridhara here is a bare confirmation: my body trembles, and my hair stands on end. It settles the plain sense of the verse and offers no verdict on whether the collapse it describes is delusion, fitting grief, or something else; this entry does not supply one on his behalf.

Śrīdhara
Modern voices teachers of the last two centuries, read together; they stand apart from the classical schools
A modern readingMadhusūdana, Śrīdhara
Set the doctrinal verdict aside and notice the mechanism: distress has now reached the hands, where the weapon of the warrior's own trade can no longer be held.
A narrative observation drawn from what the brief restatements agree happened, not a judgment about which school is right.
A modern reading, in their fuller words

Set the doctrinal question to one side and notice the mechanism the bare restatements still preserve: this verse marks a threshold where distress moves from the mind and limbs, already named in the verse before, into the hands themselves, where the weapon of the warrior's trade can no longer be held. Whatever the eventual diagnosis, the sources agree that the body's failure has now reached the very tool the moment requires.

Madhusūdana · Śrīdhara
Sit with these

A few questions to carry

These ask for understanding, not recall; each answer is settled by the commentary itself.

1
What four bodily symptoms does Arjuna report in this verse?
2
Which two symptoms named here are new to this line, distinct from the verse just before it?
3
How many of the five acaryas surveyed here leave no independent comment isolated to this exact verse?
4
Why do the sources treat the weapon slipping from Arjuna's hand as a meaningful detail rather than an incidental one?
5
When most of the surveyed acaryas leave no comment on a verse, what does this page do with that thinness?
For a second sitting7 more questions
6
What does the source say about Ramanuja's treatment of this verse?
7
Why does no Dvaita-specific reading of this verse survive from Madhva?
8
What does the surviving source say about Abhinavagupta's comment on this verse?
9
What is the one line that survives from Sridhara on this verse?
10
What single narrative role does this verse play, regardless of how thinly the acaryas comment on it?
11
What does Madhusudana's brief restatement here notably not yet do, compared to the wider Advaita reading of the passage?
12
What does the contemplative reading suggest about noticing distress reach your own hands?

Carry this with youwhat stays

Notice, the next time distress reaches your hands, that this is often the point where a private feeling stops being deniable. A racing heart can be argued with; a bow that will not stay in your grip cannot. Sit with that honestly for a moment; the body is not lying to you here, even if it has not yet told you the whole truth about what it means.

Let the report stand as it is, in its own plain and physical honesty, before any verdict is reached about the heart, or the failure, behind it.

Read deeper

Everything a full study holds, folded below.

Word by word12 terms
sīdantiquiveringmamamygātrāṇilimbsmukhammouthchaandpariśhuṣhyatiis drying up vepathuḥ—shudderingchaandśharīreon the bodymemyroma-harṣhaḥstanding of bodily hair on endchaalsojāyateis happening
All the commentary, woven togetherevery voice, in one place

The commentary, woven together

machine-assisted draft, pending review

Convergence

here any comment on this exact verse survives at all, it stays remarkably close to the bare words themselves: trembling in the body, hair standing on end, the bow slipping from the hand, the skin burning. This is not yet the moment for interpretation. It is Arjuna's own report, echoed back by the sources rather than expanded by them.

Śrīdhara Svāmī · Madhusūdana Sarasvatī

Two of the four physical symptoms named in this verse are new to this line specifically: the Gandiva slipping from the hand and the burning skin. The trembling and rising hair continue directly from the previous verse's catalogue, so this line is read as an intensification, the collapse spreading from the limbs and mouth into the grip on the weapon itself.

Madhusūdana Sarasvatī · Śrīdhara Svāmī

Three of the five acaryas surveyed here leave no independent comment isolated to this particular verse. Madhva's extant commentary does not reach chapter one at all; Abhinavagupta's source states plainly that he offers nothing here, with no wider passage given as an anchor; and Ramanuja folds this verse into a single continuous treatment beginning at 1.26, without pausing to gloss this line on its own.

Madhvācārya · Ācārya Abhinavagupta · Rāmānujācārya

Where the surviving material is thin, as with Sridhara's single confirming line, or folded into a wider passage, as with Ramanuja, or entirely absent, as with Madhva and Abhinavagupta, the verse still does real narrative work without needing a doctrinal gloss at all: it is the body finishing what the mind has already begun to feel.

Śrīdhara Svāmī · Rāmānujācārya

None of the sources that touch this verse, however briefly, treat the weapon slipping from Arjuna's hand as a small or incidental detail. Whether restated plainly, as Sridhara and Madhusudana do, or folded into the larger frame Ramanuja sets at 1.26, the failing grip on the Gandiva is carried as a meaningful sign that the warrior's readiness for battle, not only his composure, is giving way.

Śrīdhara Svāmī · Madhusūdana Sarasvatī · Rāmānujācārya

Divergence

Advaita Vedānta

No comment from Shankara survives for this verse or for chapter one generally. What stands here under the Advaita heading is Madhusudana's brief restatement, which stays with the plain list of symptoms, trembling, rising hair, the slipping bow, the burning skin, without yet sorting them into a diagnosis of delusion. That sorting, where it appears in the wider Advaita reading of this passage, belongs to his treatment of the surrounding verses, not to an extended judgment recorded on this exact line.

Madhusūdana Sarasvatī

Viśiṣṭādvaita

Ramanuja leaves no comment isolated to this verse, folding it instead into the single continuous passage he treats fully at 1.26. Read within that frame, the specific symptoms named here would fall under the same verdict he gives the collapse generally: the visible sign of a great-souled, supremely righteous man breaking under love and the fear of wrongdoing, not a flaw to be corrected. This is an extension of his stated frame, not his own recorded word on this precise line.

Rāmānujācārya

Dvaita

Madhva's commentary does not address chapter one at all, beginning only at verse 2.11. There is no Dvaita reading of this verse's trembling, burning skin, or falling weapon in his own words to report; any extension of his teaching on the soul's radical dependence to this specific moment of collapse would be speculative and is not offered here as his position.

Madhvācārya

Kashmir Śaiva

The source records that Abhinavagupta offers no comment on this verse, and no wider range or anchor is given for it either. A conditional Kashmir Shaiva extension might read the trembling and the burning skin as consciousness registering, in the body, the shock of contracting into a narrow and threatened sense of self, but this is only a labeled extrapolation, not his recorded word.

Ācārya Abhinavagupta

Bhakti

The one line that survives from Sridhara here is a bare confirmation: my body trembles, and my hair stands on end. It settles the plain sense of the verse and offers no verdict on whether the collapse it describes is delusion, fitting grief, or something else; this entry does not supply one on his behalf.

Śrīdhara Svāmī

Modern

Set the doctrinal question to one side and notice the mechanism the bare restatements still preserve: this verse marks a threshold where distress moves from the mind and limbs, already named in the verse before, into the hands themselves, where the weapon of the warrior's trade can no longer be held. Whatever the eventual diagnosis, the sources agree that the body's failure has now reached the very tool the moment requires.

Madhusūdana Sarasvatī · Śrīdhara Svāmī

A Seeker Asks

So many of the acaryas gathered here leave no real comment on this exact verse. What is a seeker meant to take from a line the tradition treats so lightly?

Take the thinness itself as honest information. Three of the five sources on file leave no independent word here, and this reflects real facts about what survives from their commentaries and how they chose to structure their treatment, not a judgment that this verse lacks importance.

Madhvācārya · Ācārya Abhinavagupta · Rāmānujācārya

Where comment does survive, however brief, it agrees on something worth noticing: the collapse has now reached the hands. Trembling and dry mouth were named already; the weapon slipping free is new, and no source treats that detail as incidental.

Śrīdhara Svāmī · Madhusūdana Sarasvatī

A verse can matter to the unfolding scene even when the commentators pass over it briefly. This line is doing narrative work, showing the body finishing what the mind began, before Krishna has said a single word in reply.

Śrīdhara Svāmī · Rāmānujācārya

Contemplation

Notice, the next time distress reaches your hands, that this is often the point where a private feeling stops being deniable. A racing heart can be argued with; a bow that will not stay in your grip cannot. Sit with that honestly for a moment; the body is not lying to you here, even if it has not yet told you the whole truth about what it means.

Sit with this · sonnet-5-authored

All the translations and commentary7 translations
Translationsthe verse re-voiced; tap a translator
The commentatorsthe schools expound the verse

Pull up a chair.

You have come to sit with this verse. When you are ready to hear the translators and the commentators in full, open a tradition in the doorways below, or add a voice by name above.

Also hear this verse, tradition by tradition.

Where this teaching echoesin the Haripath