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V.513.413.6
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Nothing here is new: this truth has already been sung, and sung well, before Krishna speaks a word of it.

It would be easy to hear a summary as a shortcut. Krishna frames it instead as the distillation of a whole tradition already reasoned through to certainty.

5Chapter 13
The verseSpoken by Krishna
Voices6 commentators · 5 schools · modern voices
The readingAbout 5 minutes, unhurried
ऋषिभिर्बहुधा गीतं छन्दोभिर्विविधैः पृथक्।ब्रह्मसूत्रपदैश्चैव हेतुमद्भिर्विनिश्चितैः
ṛiṣhibhir bahudhā gītaṁ chhandobhir vividhaiḥ pṛithak brahma-sūtra-padaiśh chaiva hetumadbhir viniśhchitaiḥ

This truth of the field and its knower has already been sung in many ways by the seers, set forth branch by branch in the Vedic hymns, and stated with reasons and settled certainty in the words that point to Brahman.

Bhagavad Gita 13.5
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Sanskrit recitation by Swami Brahmānanda

Audio from the Gītā Supersite, IIT Kanpur

The reading read whole, as one unhurried piece

Where it stands

Krishna is standing at the threshold of a compressed teaching about the field and the one who knows it. Before he gives it, he pauses to name who has already given it: the seers in their own treatises, the Vedic hymns branch by branch, and the reasoned, decisive words that point to Brahman.

The teaching

Before the brief teaching arrives, hear that it has already been sung, at length, by seers, Vedas, and reasoned words.

What you are about to receive in brief is not being invented for the first time. This exact matter, the difference between the changing field and the unchanging knower within it, has already been sung, again and again, by three independent streams of authority. The seers, sages such as Vasishtha, have sung it in many ways in their own writings. The Vedic hymns, in their various branches, have set it forth separately, each in its own idiom. And the words that point to Brahman, whether read as the Upanishads' own Brahman-disclosing sentences or as Badarayana's later aphoristic treatise, carry their own reasoning to a settled, doubt-free conclusion. Naming all this first is not throat-clearing. It draws the listener's attention toward the teaching before a word of the summary itself has been spoken, and it signals that what follows is trustworthy precisely because it has already been reasoned through, elsewhere, at length. The commentators mostly agree on this shape even where their own words on this precise verse survive unevenly: some, like Shankara, Sridhara, and Madhusudana, leave rich, detailed readings here; others, like Ramanuja, gave their fullest treatment of this very theme one verse earlier, at 13.4, and what is preserved specifically attached to 13.5 is thinner, sometimes only a single identifying phrase, as with Madhva, or a remark shared jointly with the prior verse, as with Abhinavagupta.

The doubt that rises

If this truth has already been sung so fully by seers, Vedas, and reasoned Brahma-sutra words, what does hearing it again, compressed, from Krishna actually add? And when a given acarya's own words on this exact verse are missing or thin, what should a careful reader do with that silence rather than paper over it?

Where the paths divide

Advaita Vedanta

Read as the Upanishads' own Brahman-disclosing sentences.

Shankara, Sridhara, and Madhusudana take the Brahma-sutra-pointing words primarily as the Upanishads' own sentences that disclose Brahman, some by an incidental mark such as that from which beings are born, some by stating Brahman's nature directly, as in Brahman is the real, knowledge, the endless. Madhusudana extends this into a structural claim: the three named sources map onto the Veda's own dharma, action, and knowledge sections, so that the same conclusion arrives by three converging roads.

Vishishtadvaita

His fullest treatment sits one verse earlier.

Ramanuja's own extended reading of this exact threefold praise, the seers such as Parashara, the four Vedic recensions, and the Brahman-settling aphorisms, is preserved at the preceding verse, 13.4, closing on the very note Krishna strikes here: sung in many ways, now told briefly. No separate elaboration specific to 13.5's own wording survives, so this reading is reported as already given, not invented afresh.

Dvaita

A thin but firm identification.

What survives of Madhva's word on this verse is one decisive gloss: the Brahma-sutra words mean the Sariraka, Badarayana's treatise, in its plain and conventional sense, not a loose figure for any Brahman-indicating speech. The fuller argument for keeping the three sources distinct is carried elsewhere in the tradition's record, not in his own extant sentence here.

Kashmir Shaivism

Extant comment is general and fused with the prior verse.

Abhinavagupta treats 13.4 and 13.5 as one passage, and what remains of his comment sits at 13.4: the seers and Vedas have already told this matter in many ways, and Krishna will state it in brief regardless, settling every question at once. No distinct remark on this verse's Brahma-sutra clause is preserved. A Shaiva extension might read the many prior tellings as partial approaches of awareness toward its own recognition, but this is a marked extrapolation, not his recorded word.

Bhakti

Sung to be meditated upon, not only argued.

Sridhara colors all three sources devotionally: the seers sang this truth as something to hold in meditation under forms such as Vairaja, the Vedic hymns sing it tied to the various sacrificial deities across the daily, occasional, and desire-driven rites, and the Brahman-words divide into those marking an outer sign and those stating Brahman's nature outright. He allows, too, that these words may be Badarayana's own aphorisms. The stress throughout falls on inward assimilation.

Modern

Three roads of scripture, one conclusion.

Read structurally, Madhusudana's mapping of the three sources onto the Veda's dharma, action, and knowledge sections offers a way to see why a summary is not a substitute for a tradition but a compressed map of a territory a seeker remains free to walk in full, verified independently at each of the three named waypoints.

All six readings agree that this truth has already been sung, at length, by more than one authority before Krishna speaks. They differ on exactly what the Brahma-sutra clause names, an Upanishadic sentence or Badarayana's treatise, and, just as tellingly, on how completely each acarya's own voice on this exact verse survives at all. This page does not resolve either question. It reports both fully where the sources allow it and honestly where they thin out.

A question to carry

When a teaching you are hearing announces, in its own first breath, that it has already been said before, does that make you trust it more, or does it make you want to go back and check the earlier sources for yourself?

So take this brief teaching as it is offered: not a new invention, but the settled fruit of seers, hymns, and reasoned words gathered now into a single hearing.

Each school is voiced from the commentators named above. Their full words, every translation, and where the schools agree and differ wait in the reading desk just below. Open the commentary desk.

Having just told Arjuna that this truth of the field and its knower has been asked after by seekers everywhere, Krishna now names exactly who has already sung it, seers, Vedic hymns, and reasoned Brahman-sentences, before compressing it himself.

Where they agreethe convergence

Three independent streams of the tradition, seers, Vedic hymns, and reasoned scriptural words, have already converged on this truth, and Krishna's brief statement gathers rather than replaces them.

Across schools and centuries the commentators come to the same ground. These are the points they share, and the voices that hold each one.

2schools

This is praise placed deliberately before the teaching, meant to rouse the listener's attention before a word of the summary is spoken.

Across Advaita, BhaktiŚaṅkara · Madhusūdana · Śrīdhara
In Śaṅkara, Madhusūdana, and 1 others’ words

The verse is read as a deliberate act of praise placed just before the teaching proper. Krishna is about to compress a vast subject, the field and its knower, into a handful of verses, and first tells Arjuna that this very subject has already been sung at length by earlier authorities. The effect drawn out by the commentators is to rouse the listener's attention: hearing that sages, scriptures, and reasoned aphorisms have all dwelt on this matter draws the mind toward it before a word of the summary itself has been spoken.

Asked in question 4, below
3schools

Three named sources, seers, Vedic hymns, and Brahman-pointing words, are said to have already sung this truth, each in its own way.

Across Advaita, Bhakti, DvaitaŚaṅkara · Madhusūdana · Śrīdhara · Madhva
In Śaṅkara, Madhusūdana, and 2 others’ words

Three streams of prior authority are named, and the commentators largely agree on their identity even where they disagree on details: the seers (Vasishtha and others), singing in many ways in their own treatises; the Vedic metres, setting the matter forth separately, branch by branch; and the words that point to Brahman, carrying their own reasoning to a settled conclusion.

Asked in question 1, below
1school

The certainty offered is reasoned certainty: these words argue their way to a settled, doubt-free conclusion, not a bare assertion.

Across AdvaitaŚaṅkara · Madhusūdana
In Śaṅkara and Madhusūdana’s words

The certainty on offer is read as reasoned certainty rather than bare assertion. Shankara and Madhusudana both point to the same kind of scriptural sequence, an initial claim, an objection, and a resolution in which the passage's opening and closing agree, as the model for how these Brahman-pointing words settle a doubt rather than simply naming an answer.

Asked in question 3, below
2schools

What is sung by all three is the very distinction Krishna is about to give in brief, the field and the one who knows it.

Across Advaita, BhaktiŚaṅkara · Śrīdhara · Madhusūdana
In Śaṅkara, Śrīdhara, and 1 others’ words

What is sung by all three sources is specifically the truth of the field and the knower of the field, so the verse functions as a hinge: it certifies how deeply the tradition has already treated this exact distinction before Krishna distills it into the compressed teaching of the following verses.

2schools

Where a commentator's own words on this exact verse thin out, the honest report says so rather than inventing confident material in his name.

Across Dvaita, Kashmir ŚaivaMadhva · Abhinavagupta
In Madhva and Abhinavagupta’s words

For the two acaryas whose extant remarks on this specific verse are thin, Madhva and Abhinavagupta, what survives still points toward the same shared frame: Madhva anchors the third source firmly in Badarayana's treatise by name, and Abhinavagupta's fused 13.4-13.5 comment affirms that the seers and Vedas have already told this matter in many ways before Krishna lays it out briefly.

This is the shared ground; it can be carried as it is. Below is where they differ.

Where they differthe divergence

The question they answer differently
When Krishna says this truth has already been sung by seers, Vedic hymns, and Brahma-sutra words, does brahma-sutra-pada mean the Upanishads' own Brahman-disclosing sentences, or Badarayana's later aphoristic treatise by that name?
The traditional commentators
Advaita Vedāntasee this school across the GītāŚaṅkara, Madhusūdana, Śrīdhara
The Brahma-sutra words are the Upanishads' own Brahman-pointing sentences, some marking Brahman by an outer sign, some stating its nature directly.
Read so the phrase covers any sentence that threads forth toward Brahman.
Asked in question 5, below
Viśiṣṭādvaitasee this school across the GītāRāmānuja
Ramanuja's own full treatment of this exact praise is recorded at the preceding verse, 13.4, not as a separate gloss here.
His extended reading of the three sources sits one verse earlier.
Viśiṣṭādvaita, in their fuller words

Ramanuja's own extended treatment of this exact threefold praise is given at the preceding verse, 13.4, where he traces the seers such as Parashara, the four Vedic recensions, and the Brahman-settling aphorisms in detail, closing on the same note Krishna strikes here: the truth, long sung, is now told briefly. No separate elaboration of his is preserved specifically attached to 13.5's own wording, so this entry reports his position as already stated one verse earlier rather than inventing a fresh gloss.

Rāmānuja
Dvaitasee this school across the GītāMadhva
The Brahma-sutra words mean Badarayana's Sariraka treatise in its plain, conventional sense, and nothing more figurative.
So that the three named sources remain distinct rather than repetitive.
Dvaita, in their fuller words

Madhva's surviving comment on this verse is a single firm identification: the Brahma-sutra words named here are Badarayana's Sariraka treatise itself, in its plain, conventional sense, not a loose figure of speech for any Brahman-indicating sentence. The fuller argument for why the three sources must stay distinct is carried in the tradition's broader record rather than as his own extant words at 13.5, so this is reported as a thin but decisive fragment.

Madhva
Shaivasee this school across the GītāAbhinavagupta
The extant comment, fused with the prior verse, only affirms that the seers and Vedas have already told this in many ways before Krishna states it briefly.
No separate remark on the Brahma-sutra clause survives specifically at 13.5.
Shaiva, in their fuller words

Abhinavagupta treats 13.4 and 13.5 as one passage, and what survives of his comment sits at 13.4: that the seers and the Vedas have already told this matter in many ways, and that Krishna will nonetheless state it in brief, settling every question at once. No distinct remark on the Brahma-sutra clause specific to 13.5 is preserved. A Kashmir Shaiva extension, clearly marked as such and not his recorded word, might read the many prior tellings as so many partial approaches of awareness toward its own recognition, but the source itself does not go this far.

Abhinavagupta
BhaktiŚrīdhara
All three sources sing this truth as something to be meditated upon and inwardly assimilated, not merely reasoned to.
Read with meditative and devotional coloring throughout.
Bhakti, in their fuller words

Sridhara colors all three sources devotionally: the seers sang this truth as something to be meditated on and held in mind under forms such as Vairaja, the Vedic hymns sing it tied to the various sacrificial deities across the daily, occasional, and desire-driven rites, and the Brahman-words divide into those marking Brahman by an outer sign and those stating its nature directly. He also allows that the words may be Badarayana's own aphorisms. Throughout, the emphasis falls on assimilation and meditation, not argument alone.

Śrīdhara
Modern voices teachers of the last two centuries, read together; they stand apart from the classical schools
A modern readingMadhusūdana
The three sources map onto the Veda's own dharma, action, and knowledge sections, showing one conclusion arrived at by several roads.
Read structurally, for a seeker mapping how scripture converges.
A modern reading, in their fuller words

Read for a contemporary seeker, the verse's real interest is structural: Madhusudana maps the three sources onto the Veda's own three sections, dharma, ritual action, and knowledge, and shows how the same conclusion, the field and the field-knower distinguished, keeps arriving by different roads. The pastoral upshot is that a summary is not a substitute for the tradition; it is a compressed map of a territory the seeker remains free to walk in full.

Madhusūdana
Sit with these

A few questions to carry

These ask for understanding, not recall; each answer is settled by the commentary itself.

1
What does Krishna say has already happened to the truth of the field and its knower, before he states it?
2
What three sources does the verse name as having already sung this truth?
3
What quality does the verse claim for the Brahman-pointing words, beyond simply stating a conclusion?
4
Why does the tradition read this praise-verse as coming just before, rather than after, the teaching it summarizes?
5
For Shankara and Madhusudana, what does 'brahma-sutra-pada' most centrally mean?
6
Why do several commentators treat the reasoned certainty of these prior sources as different from simply being told an answer?
For a second sitting6 more questions
7
What is Madhva's distinctive claim about the phrase 'brahma-sutra-pada'?
8
What is true of Ramanuja's commentary specifically at this verse, 13.5?
9
How does Sridhara color the same three sources differently from a purely argumentative reading?
10
What structural claim does Madhusudana make about how the three named sources relate to the Veda as a whole?
11
What does it mean that Abhinavagupta's extant comment on this theme is thin at 13.5 specifically?
12
What is the practical takeaway for a reader when a commentator's surviving words on a given verse are thin or point elsewhere?

Carry this with youwhat stays

Before you take in the compressed teaching that follows, sit for a moment with the fact that none of it is new. Let that lower the pressure of understanding it all at once: what you are about to receive has already been sung, reasoned through, and settled by others, in many ways, across a long tradition. You are not required to reinvent it. You are only asked to listen closely enough to receive what has already been prepared for you.

So receive what follows not as something wholly new, but as the settled fruit of a long singing you are now invited to hear distilled.

ऋषिभिर्बहुधा गीतं छन्दोभिर्विविधैः पृथक्। ब्रह्मसूत्रपदैश्चैव हेतुमद्भिर्विनिश्चितैःṛiṣhibhir bahudhā gītaṁ chhandobhir vividhaiḥ pṛithak brahma-sūtra-padaiśh chaiva hetumadbhir viniśhchitaiḥ

Read deeper

Everything a full study holds, folded below.

Word by word12 terms
ṛiṣhibhiḥby great sagesbahudhāin manifold waysgītamsungchhandobhiḥin Vedic hymnsvividhaiḥvariouspṛithakvariouslybrahma-sūtrathe Brahma Sūtrapadaiḥby the hymnschaandevaespeciallyhetu-madbhiḥwith logicviniśhchitaiḥconclusive evidence
All the commentary, woven togetherevery voice, in one place

The commentary, woven together

machine-assisted draft, pending review

Convergence

he verse is read as a deliberate act of praise placed just before the teaching proper. Krishna is about to compress a vast subject, the field and its knower, into a handful of verses, and first tells Arjuna that this very subject has already been sung at length by earlier authorities. The effect drawn out by the commentators is to rouse the listener's attention: hearing that sages, scriptures, and reasoned aphorisms have all dwelt on this matter draws the mind toward it before a word of the summary itself has been spoken.

Śaṅkarācārya · Madhusūdana Sarasvatī · Śrīdhara Svāmī

Three streams of prior authority are named, and the commentators largely agree on their identity even where they disagree on details: the seers (Vasishtha and others), singing in many ways in their own treatises; the Vedic metres, setting the matter forth separately, branch by branch; and the words that point to Brahman, carrying their own reasoning to a settled conclusion.

Śaṅkarācārya · Madhusūdana Sarasvatī · Śrīdhara Svāmī · Madhvācārya

The certainty on offer is read as reasoned certainty rather than bare assertion. Shankara and Madhusudana both point to the same kind of scriptural sequence, an initial claim, an objection, and a resolution in which the passage's opening and closing agree, as the model for how these Brahman-pointing words settle a doubt rather than simply naming an answer.

Śaṅkarācārya · Madhusūdana Sarasvatī

What is sung by all three sources is specifically the truth of the field and the knower of the field, so the verse functions as a hinge: it certifies how deeply the tradition has already treated this exact distinction before Krishna distills it into the compressed teaching of the following verses.

Śaṅkarācārya · Śrīdhara Svāmī · Madhusūdana Sarasvatī

For the two acaryas whose extant remarks on this specific verse are thin, Madhva and Abhinavagupta, what survives still points toward the same shared frame: Madhva anchors the third source firmly in Badarayana's treatise by name, and Abhinavagupta's fused 13.4-13.5 comment affirms that the seers and Vedas have already told this matter in many ways before Krishna lays it out briefly.

Madhvācārya · Ācārya Abhinavagupta

Divergence

Advaita Vedānta

These readings take the Brahma-sutra-pointing words as the Upanishads' own Brahman-disclosing sentences rather than, or in addition to, Badarayana's later aphoristic treatise. A brahma-sutra here is glossed as any sentence that threads forth toward Brahman, distinguished into those that indicate Brahman by an incidental mark (that from which beings are born) and those that state its own nature directly (Brahman is the real, knowledge, the endless). Madhusudana further reads the three named sources as covering the Veda's dharma, action, and knowledge sections in turn, all converging on this one truth.

Śaṅkarācārya · Madhusūdana Sarasvatī · Śrīdhara Svāmī

Viśiṣṭādvaita

Ramanuja's own extended treatment of this exact threefold praise is given at the preceding verse, 13.4, where he traces the seers such as Parashara, the four Vedic recensions, and the Brahman-settling aphorisms in detail, closing on the same note Krishna strikes here: the truth, long sung, is now told briefly. No separate elaboration of his is preserved specifically attached to 13.5's own wording, so this entry reports his position as already stated one verse earlier rather than inventing a fresh gloss.

Rāmānujācārya

Dvaita

Madhva's surviving comment on this verse is a single firm identification: the Brahma-sutra words named here are Badarayana's Sariraka treatise itself, in its plain, conventional sense, not a loose figure of speech for any Brahman-indicating sentence. The fuller argument for why the three sources must stay distinct is carried in the tradition's broader record rather than as his own extant words at 13.5, so this is reported as a thin but decisive fragment.

Madhvācārya

Kashmir Śaiva

Abhinavagupta treats 13.4 and 13.5 as one passage, and what survives of his comment sits at 13.4: that the seers and the Vedas have already told this matter in many ways, and that Krishna will nonetheless state it in brief, settling every question at once. No distinct remark on the Brahma-sutra clause specific to 13.5 is preserved. A Kashmir Shaiva extension, clearly marked as such and not his recorded word, might read the many prior tellings as so many partial approaches of awareness toward its own recognition, but the source itself does not go this far.

Ācārya Abhinavagupta

Bhakti

Sridhara colors all three sources devotionally: the seers sang this truth as something to be meditated on and held in mind under forms such as Vairaja, the Vedic hymns sing it tied to the various sacrificial deities across the daily, occasional, and desire-driven rites, and the Brahman-words divide into those marking Brahman by an outer sign and those stating its nature directly. He also allows that the words may be Badarayana's own aphorisms. Throughout, the emphasis falls on assimilation and meditation, not argument alone.

Śrīdhara Svāmī

Modern

Read for a contemporary seeker, the verse's real interest is structural: Madhusudana maps the three sources onto the Veda's own three sections, dharma, ritual action, and knowledge, and shows how the same conclusion, the field and the field-knower distinguished, keeps arriving by different roads. The pastoral upshot is that a summary is not a substitute for the tradition; it is a compressed map of a territory the seeker remains free to walk in full.

Madhusūdana Sarasvatī

A Seeker Asks

If the seers, the Vedas, and the Brahma-sutras have already sung this truth at such length, why do I need to hear it again from Krishna, and what does a brief restatement actually add?

The verse itself treats repetition as a sign of importance, not redundancy. Three independent streams, the seers, the Vedic hymns, and the reasoned aphorisms, are named as already converging on the same truth; that convergence is offered as evidence of how fundamental the matter is, which is exactly why it deserves restating rather than being left buried in scattered sources.

Śaṅkarācārya · Madhusūdana Sarasvatī

What Krishna adds is not new content but compression. Sridhara is explicit that the fuller teaching is vast and hard to gather in full; the gift of this passage is that it distills a many-sided tradition into a single form small enough for a listener actually to hold and carry forward.

Śrīdhara Svāmī

And where the record of any one acarya's own words on this exact verse thins out, as with Ramanuja's fuller treatment sitting at 13.4, or Madhva's and Abhinavagupta's brief extant remarks, the honest answer is that the tradition itself is uneven in what survives verse by verse, even while its overall direction on this teaching stays consistent.

Rāmānujācārya · Madhvācārya · Ācārya Abhinavagupta

Contemplation

Before you take in the compressed teaching that follows, sit for a moment with the fact that none of it is new. Let that lower the pressure of understanding it all at once: what you are about to receive has already been sung, reasoned through, and settled by others, in many ways, across a long tradition. You are not required to reinvent it. You are only asked to listen closely enough to receive what has already been prepared for you.

Sit with this · sonnet-5-authored

All the translations and commentary7 translations
Translationsthe verse re-voiced; tap a translator
The commentatorsthe schools expound the verse

Pull up a chair.

You have come to sit with this verse. When you are ready to hear the translators and the commentators in full, open a tradition in the doorways below, or add a voice by name above.

Also hear this verse, tradition by tradition.

Where this teaching echoesin the Haripath