Four marks tell you when darkness, not stillness, has taken the wheel.
A mind that will not light up, a will that will not move, an attention that misses what is right in front of you, and a certainty that gets things wrong. These four, taken together, are how you know tamas, not peace, has grown strong.
When tamas has grown strong in you, these are what appear: a mind that will not light up, a will that will not move, a carelessness that misses what is right in front of you, and a delusion that mistakes one thing for another.
The reading read whole, as one unhurried piece
Where it stands
Krishna has already shown how sattva announces itself and how rajas announces itself. Now he completes the set, naming the marks of tamas, the heaviest of the three strands, so its rising can be recognized for what it is rather than mistaken for calm.
The teaching
Four signs show that tamas has grown strong in you. The first is a want of light: no understanding arises, even when a teacher or a clear instruction stands right in front of you. The mind is simply unfit to be lit, however plainly the lamp is offered. The second is a want of activity: no effort comes, even when there is every reason to act; the will stiffens and will not move, and even necessary work loses its pull entirely. The third is heedlessness, an inattention aimed exactly at what needs doing in this very moment, not a vague forgetfulness spread across a life but a precise failure to notice the thing at hand. The fourth is delusion, a false fixation that takes one thing to be another, a waking state that nonetheless gets things wrong. Together these four pull in a single direction, inward toward stupor, away from clear seeing and away from right action. None of them is an occasional lapse; each holds even where its opposite would be expected, understanding withheld with the teacher present, effort withheld with the reason to act present. That is what marks them as tamas specifically, not ordinary tiredness and not a passing mood. Since a guna is too subtle to see directly, this is how you actually find it: not by looking inward for some abstract quality called darkness, but by noticing these concrete effects in your own mind and hands, and reading backward from them to what is truly at work.
The doubt that rises
How do you tell this apart, in your own experience, from a stillness that is real, a surrender rather than a shutting-down? Both can look, from the outside, like someone sitting quietly and not striving.
Where the paths divide
Read as a technical catalogue, each mark defined against the presence of its own cause.
Shankara names the four plainly: non-light, utter idleness, carelessness, and delusion, the signature of risen tamas. Madhusudana sharpens each into something closer to a proof: non-light persists even with instruction present, non-activity persists even with scriptural cause for action present and even understood, so that these marks cannot be explained away as anything but tamas. Read this way, the verse gives you a test rather than only a description, four failures that hold precisely where you would expect them not to.
Read as one inward collapse rather than four separate faults.
Ramanuja compresses the four marks into a single movement: knowledge fails to rise, the will stiffens, attention strays toward what should not be done, and seeing turns contrary. All four, on this reading, are one door leading the same direction, toward stupor, not four independent complaints needing four different remedies. For someone in active, devoted service, this collapse is worth watching for precisely because it would quietly hollow that service out from within.
Honest silence, with any extension clearly labeled as conditional.
No comment from Madhva survives for this verse, nor for the two verses immediately before it. Rather than construct a reading in his name where none exists, this space names that silence directly. What can honestly be offered is a labeled extension from his wider pattern: tamas as one insentient strand through which the Lord governs each soul's experience according to its own nature and karma, so these marks would be signs of that governance, not an independent power. This is extrapolation, not Madhva's own recorded word.
A thin surviving remark, honestly held as thin rather than expanded.
Abhinavagupta's fullest treatment of this stretch of verses sits at 14.11; for 14.13 what survives is only a brief echo of that comment, that the marks of darkness arise in turn just as the marks of passion arose in theirs. Nothing further is recorded in his own voice here. Any reading of these four as consciousness contracting into a denser self-forgetting is a conditional extension of his broader idiom, offered only as clearly labeled possibility, not as his stated word on this particular verse.
A terse, practical gloss meant to be used rather than expanded.
Sridhara's comment is brief and exact: non-light is lapsed discrimination, want of engagement is absent effort, carelessness is failed reflection on the moment's task, delusion is false fixation. He closes with a single memorable line meant to hold all three strands at once, sattva shines, rajas drives, tamas darkens, so a practitioner can recognize any of the three at a glance rather than only reason about them abstractly.
Read as a usable checklist for daily self-observation.
Carried into ordinary life, these definitions become a working test. Any unfitness that survives contact with its own remedy, understanding offered but not landing, a clear reason to act with no action following, an attention that misses the very thing in your hand, is tamas and not simple fatigue or a neutral pause. Naming it this precisely is itself useful, since a fog you can name is a fog you can begin to see through, where an unnamed dullness only deepens.
All six readings agree on the four marks and on the practical stakes of recognizing them. They do not agree on how tightly bound the marks are to one another, one collapse or four faces, nor, where the sources are thin, on how far a school's wider architecture may be safely extended into this particular verse. Left open, too, is the question this reading keeps circling: what finally distinguishes hard-won stillness from tamas simply wearing stillness's face, since both can, for a moment, look identical from outside.
A question to carry
The next time you find yourself sitting still and calling it peace, ask honestly: is your mind still lit, is your hand still ready to move the moment it is needed? Or has something darker simply borrowed the shape of your rest?
Where this teaching travels
Verses that sit near this one, each going its own way; follow whichever calls you.
You cannot see the strand itself, only what it leaves behind in you: a dimmed mind, a stalled hand, an inattentive eye, a false certainty. When you notice these, do not call them yours and do not call them rest. Let them be named plainly, let them pass as visitors, and let the naming be the first return of the light.
Each school is voiced from the commentators named above. Their full words, every translation, and where the schools agree and differ wait in the reading desk just below. Open the commentary desk.
Krishna has already named sattva's marks and rajas's marks; here he completes the portrait, naming tamas's signature so it can be told apart from genuine calm rather than mistaken for it.
Where they agreethe convergence
Across schools and centuries the commentators come to the same ground. These are the points they share, and the voices that hold each one.
Non-light is a mind that stays dark even when instruction is right there; non-activity is a will that stays still even when there is plain reason to act.
Across Advaita, Viśiṣṭādvaita, BhaktiŚaṅkara · Rāmānuja · Śrīdhara · MadhusūdanaIn Śaṅkara, Rāmānuja, and 2 others’ words
The verse gives four unmistakable marks by which risen tamas can be told: aprakasha, a want of light or illumination in the mind; apravritti, a want of activity or engagement; pramada, heedlessness or negligence; and moha, delusion. Krishna states this as a diagnostic rule, when these appear, tamas has grown strong and taken charge.
Heedlessness misses what needs doing this very moment; delusion mistakes one thing for another even while wide awake.
Across Advaita, ViśiṣṭādvaitaŚaṅkara · Rāmānuja · MadhusūdanaIn Śaṅkara, Rāmānuja, and 1 others’ words
Several commentators sharpen aprakasha and apravritti by testing them against the presence of their own natural causes. Non-light holds even when a teacher or instruction stands right there; non-activity holds even when scripture itself calls for an act and its meaning has even been understood. Both are failures more total than ordinary dullness or laziness.
All four marks pull in one direction, inward toward stupor, not four separate faults but one collapse seen from four angles.
Across Viśiṣṭādvaita, Bhakti, AdvaitaRāmānuja · Śrīdhara · MadhusūdanaIn Rāmānuja, Śrīdhara, and 1 others’ words
Pramada and moha likewise name something more exact than their English glosses suggest. Heedlessness is inattention precisely timed to what needs doing right now, not a general forgetfulness. Delusion is a false fixation, taking a thing to be other than it is, or, as one puts it, the very reverse of sleep, a waking state that still gets things wrong.
A guna cannot be seen directly, only through what it produces; read the moods and stalls in your own mind to find which strand is running you.
Across Advaita, ViśiṣṭādvaitaŚaṅkara · Rāmānuja · MadhusūdanaIn Śaṅkara, Rāmānuja, and 1 others’ words
All four marks are read as one movement rather than four separate complaints. They pull a person in a single direction, inward toward stupor, away from clear seeing and away from right action, so that naming any one of them is really naming the same underlying collapse from a different angle.
Real stillness leaves discrimination and readiness for right action intact; if calm arrives with these four marks instead, it is tamas wearing peace's name.
Across AdvaitaŚaṅkara · MadhusūdanaIn Śaṅkara and Madhusūdana’s words
Because a guna is too subtle to perceive directly, it can only be recognized through its vrittis, its visible effects on mind and senses. Krishna names each guna's marks precisely so a seeker can work backward from what shows up in experience to which strand is actually running the show, and here that strand is tamas.
This is the shared ground; it can be carried as it is. Below is where they differ.
Where they differthe divergence
Viśiṣṭādvaita, in their fuller words
Ramanuja compresses the four marks into a single inward collapse rather than four separate faults: knowledge fails to rise, the will stiffens and will not move, attention wanders into what should not be done, and seeing turns contrary. He reads all four as one door leading the same direction, toward stupor, and treats the marks as a practical warning against the very inertia that would undo devoted, embodied service.
Dvaita, in their fuller words
No comment from Madhva survives for this verse, nor for the two verses immediately before it. What can honestly be offered is a conditional extension of his broader pattern: tamas as one of prakriti's insentient strands, through which the Lord governs each soul's experience according to its own nature and karma, so that these four marks would be signs of that governance acting through darkness, not an independent power the guna wields on its own. This is flagged as extrapolation, not as Madhva's recorded word on 14.13.
Bhakti, in their fuller words
Sridhara's gloss is terse and precise: non-light is the lapse of viveka, want of engagement is the absence of effort, carelessness is the failure to keep due reflection on the moment's task, and delusion is false fixation. He closes with a memorable summary meant to distinguish all three strands at a glance, sattva shines, rajas drives, tamas darkens, unmistakable signatures once you know to look for them.
A modern reading, in their fuller words
Read forward into practical use, Madhusudana's technical definitions become a live test: any dullness that survives contact with its own remedy, understanding offered but not landing, a clear reason to act that still produces no effort, is tamas and not mere fatigue or a passing mood. The word only in his reading insists that nothing besides risen tamas explains this particular cluster of symptoms, which makes the verse usable as a checklist rather than only a description.
A few questions to carry
These ask for understanding, not recall; each answer is settled by the commentary itself.
For a second sitting
Carry this with youwhat stays
Take one ordinary moment today, a task you keep circling without starting, or an explanation you hear without it landing, and hold it up against these four marks rather than against your usual excuses. Ask plainly whether the cause for light or for action was actually present and still nothing moved. If so, do not scold yourself for laziness in the abstract; name the visitor precisely, this is tamas, and let the naming itself be the first small return of the light it was blocking.
When your mind dims and your hands go still though the reason to act stands right in front of you, do not call it rest. Name it plainly, watch it as a visitor passing through, and let the naming itself return a measure of the light.
Read deeper
Everything a full study holds, folded below.
Word by word
All the commentary, woven together
The commentary, woven together
machine-assisted draft, pending review
Convergence
he verse gives four unmistakable marks by which risen tamas can be told: aprakasha, a want of light or illumination in the mind; apravritti, a want of activity or engagement; pramada, heedlessness or negligence; and moha, delusion. Krishna states this as a diagnostic rule, when these appear, tamas has grown strong and taken charge.
Śaṅkarācārya · Rāmānujācārya · Śrīdhara Svāmī · Madhusūdana Sarasvatī
Several commentators sharpen aprakasha and apravritti by testing them against the presence of their own natural causes. Non-light holds even when a teacher or instruction stands right there; non-activity holds even when scripture itself calls for an act and its meaning has even been understood. Both are failures more total than ordinary dullness or laziness.
Śaṅkarācārya · Rāmānujācārya · Madhusūdana Sarasvatī
Pramada and moha likewise name something more exact than their English glosses suggest. Heedlessness is inattention precisely timed to what needs doing right now, not a general forgetfulness. Delusion is a false fixation, taking a thing to be other than it is, or, as one puts it, the very reverse of sleep, a waking state that still gets things wrong.
Rāmānujācārya · Śrīdhara Svāmī · Madhusūdana Sarasvatī
All four marks are read as one movement rather than four separate complaints. They pull a person in a single direction, inward toward stupor, away from clear seeing and away from right action, so that naming any one of them is really naming the same underlying collapse from a different angle.
Śaṅkarācārya · Rāmānujācārya · Madhusūdana Sarasvatī
Because a guna is too subtle to perceive directly, it can only be recognized through its vrittis, its visible effects on mind and senses. Krishna names each guna's marks precisely so a seeker can work backward from what shows up in experience to which strand is actually running the show, and here that strand is tamas.
Śaṅkarācārya · Madhusūdana Sarasvatī
Divergence
Advaita Vedānta
Shankara reads the four marks as one flat portrait, non-light, utter idleness, carelessness, and delusion, presented as the plain signature of risen tamas. Madhusudana sharpens the same list into a technical catalogue, testing each mark against the presence of its own cause, non-light that persists despite instruction present, non-activity that persists despite scriptural cause and understanding already present, so that the word only closes off any explanation for these marks besides risen tamas.
Śaṅkarācārya · Madhusūdana Sarasvatī
Viśiṣṭādvaita
Ramanuja compresses the four marks into a single inward collapse rather than four separate faults: knowledge fails to rise, the will stiffens and will not move, attention wanders into what should not be done, and seeing turns contrary. He reads all four as one door leading the same direction, toward stupor, and treats the marks as a practical warning against the very inertia that would undo devoted, embodied service.
Rāmānujācārya
Dvaita
No comment from Madhva survives for this verse, nor for the two verses immediately before it. What can honestly be offered is a conditional extension of his broader pattern: tamas as one of prakriti's insentient strands, through which the Lord governs each soul's experience according to its own nature and karma, so that these four marks would be signs of that governance acting through darkness, not an independent power the guna wields on its own. This is flagged as extrapolation, not as Madhva's recorded word on 14.13.
Madhvācārya
Kashmir Śaiva
Abhinavagupta's own surviving remark on 14.13 is brief, an extension of his fuller comment at 14.11: the loss of light and the rest come forth, each in its turn, when darkness is on the rise, echoing how greed and its cluster rose when passion grew strong. Beyond that parallel, nothing further is recorded in his voice for this specific verse; any reading of the four marks as consciousness contracting into a denser self-forgetting is a conditional extension, not his stated word here.
Ācārya Abhinavagupta
Bhakti
Sridhara's gloss is terse and precise: non-light is the lapse of viveka, want of engagement is the absence of effort, carelessness is the failure to keep due reflection on the moment's task, and delusion is false fixation. He closes with a memorable summary meant to distinguish all three strands at a glance, sattva shines, rajas drives, tamas darkens, unmistakable signatures once you know to look for them.
Śrīdhara Svāmī
Modern
Read forward into practical use, Madhusudana's technical definitions become a live test: any dullness that survives contact with its own remedy, understanding offered but not landing, a clear reason to act that still produces no effort, is tamas and not mere fatigue or a passing mood. The word only in his reading insists that nothing besides risen tamas explains this particular cluster of symptoms, which makes the verse usable as a checklist rather than only a description.
Madhusūdana Sarasvatī
A Seeker Asks
I often sit quietly and do nothing, and I want to call it surrender. How do I know whether that stillness is real, or whether it is just tamas wearing peace's face?
Test the stillness against the four marks rather than against how restful it feels. Real surrender does not dull your discrimination or your appetite for right action; if your calm arrives alongside a mind that will not light up and a will that will not move even when there is plain reason to act, that is not peace, it is tamas borrowing peace's name.
Śaṅkarācārya · Madhusūdana Sarasvatī
Notice, too, whether your attention has gone slack on what actually needs doing right now. Heedlessness is not a vague forgetfulness; it is missing the very thing at hand. Genuine stillness leaves your attention sharp and available, ready the moment something requires it. Dullness does not.
Rāmānujācārya · Śrīdhara Svāmī
Since a guna cannot be seen directly, judge yours by its visible effects rather than by the mood alone. If the effects are a darkened mind, a stalled will, missed attention, and false certainty about what is or is not in front of you, the diagnosis is not gentle. It is tamas, and the way through it is to name it precisely rather than dress it in the language of peace.
Madhusūdana Sarasvatī · Śrīdhara Svāmī
Contemplation
Take one ordinary moment today, a task you keep circling without starting, or an explanation you hear without it landing, and hold it up against these four marks rather than against your usual excuses. Ask plainly whether the cause for light or for action was actually present and still nothing moved. If so, do not scold yourself for laziness in the abstract; name the visitor precisely, this is tamas, and let the naming itself be the first small return of the light it was blocking.
Sit with this · sonnet-5-authored
All the translations and commentary
Pull up a chair.
You have come to sit with this verse. When you are ready to hear the translators and the commentators in full, open a tradition in the doorways below, or add a voice by name above.
Also hear this verse, tradition by tradition.