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Bṛhadāraṇyaka Upaniṣadबृहदारण्यक उपनिषद्

Madhu Kanda. Adhyaya 1, Brahmana 3. The contest of the vital breath

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Each mantra is given four ways: the Sanskrit in its Devanagari script, the same sounds in Roman letters, an English translation set in our own voice, and then the line once more in plain words, for a first and unhurried reading.

Not every passage is opened to the same depth. A few central mantras carry the full cross-school commentary, where the schools are set side by side. The rest are kept here whole and faithful, set in their place but not expounded, so the book stays entire and nothing is dropped for being thought minor.

Where the schools read a line differently, the difference is kept open. None is crowned and none is corrected. Each is met on its own terms, and where they contradict, the contradiction is left standing for you to sit with.

॥ 1.3.26 ॥

The gold of the Saman

तस्य हैतस्य साम्नो यः सुवर्णं वेद भवति हास्य सुवर्णम् । तस्य वै स्वर एव सुवर्णम् । भवति हास्य सुवर्णं य एवमेतत्साम्नः सुवर्णं वेद ॥
In transliteration
tasya haitasya sāmno yaḥ suvarṇaṃ veda bhavati hāsya suvarṇam | tasya vai svara eva suvarṇam | bhavati hāsya suvarṇaṃ ya evametatsāmnaḥ suvarṇaṃ veda ||

In English

Of this Saman, one who knows the gold comes to have gold. Its gold is just the tone. He who knows the gold of the Saman thus comes to have gold.

In plain words

Of this Saman, the one who knows its 'suvarna', its gold, gains gold. The gold of the Saman is just its musical tone (svara). Whoever knows the tone to be the gold of the Saman in this way comes to possess gold.